蔡宜婷
Yi Ting TSAI
1990 出生於台灣
Born in Taiwan in 1990.
▌學歷 Education
2020 國立臺北藝術大學 新媒體藝術學系碩士班 畢業
2016 沃手工作 主理人
2020 M.F.A., Department of New Media Art, Taipei National University of the Arts, Taiwan
2016 Founder of Wo Shou Studio
▌創作理念 Artist Statement
新媒體藝術創作者,在機械裝置中尋找一種生命運動中的恆定狀態,理性的處理人類存在的勞動與異化過程。冷斂又詩意的方式,將機械機芯的絕對精度視為一種抽象語言,傳達一種生動的哲學。又如物理實驗般進行,企求在非線性邏輯下提出的假設成為自定義,進而在人之於時空中宏觀與微觀的反思,探尋存在又非實體現象的光影介質。
As a new media artist, the artist explores the relationship between constancy and transformation through kinetic installations, addressing themes of human existence, labor, and alienation from a rational perspective. Mechanical precision is treated as an abstract visual language, employing restrained yet poetic forms to construct kinetic works imbued with philosophical reflection.
The practice unfolds like a scientific experiment, proposing hypotheses within a nonlinear framework and allowing interactions between mechanics, light, and time to generate new modes of perception. Through these explorations, the artist reflects on humanity’s position across both macro and micro dimensions of space and time, investigating light and shadow as immaterial yet tangible media through which presence and perception emerge.
Born in Taiwan in 1990.
▌學歷 Education
2020 國立臺北藝術大學 新媒體藝術學系碩士班 畢業
2016 沃手工作 主理人
2020 M.F.A., Department of New Media Art, Taipei National University of the Arts, Taiwan
2016 Founder of Wo Shou Studio
▌創作理念 Artist Statement
新媒體藝術創作者,在機械裝置中尋找一種生命運動中的恆定狀態,理性的處理人類存在的勞動與異化過程。冷斂又詩意的方式,將機械機芯的絕對精度視為一種抽象語言,傳達一種生動的哲學。又如物理實驗般進行,企求在非線性邏輯下提出的假設成為自定義,進而在人之於時空中宏觀與微觀的反思,探尋存在又非實體現象的光影介質。
As a new media artist, the artist explores the relationship between constancy and transformation through kinetic installations, addressing themes of human existence, labor, and alienation from a rational perspective. Mechanical precision is treated as an abstract visual language, employing restrained yet poetic forms to construct kinetic works imbued with philosophical reflection.
The practice unfolds like a scientific experiment, proposing hypotheses within a nonlinear framework and allowing interactions between mechanics, light, and time to generate new modes of perception. Through these explorations, the artist reflects on humanity’s position across both macro and micro dimensions of space and time, investigating light and shadow as immaterial yet tangible media through which presence and perception emerge.
▌精選個展 Selected Solo Exhibitions
2019 非線性科學 : 混沌,鳳甲美術館,台北
▌精選聯展 Selected Group Exhibitions
2025 ART CENTRAL 2025, 涅普頓畫廊, 香港
2025 ONE ART TAIPEI 2025,涅普頓畫廊,JR 東日本大飯店,台北
2024 風景構體 – 當代藝術聯展,涅普頓畫廊,台北
2024 夢想將近.鹽水新視界 月津港燈節,月津港親水公園,台南
2024 城裡有光-台灣燈會在台南,高鐵燈區,台南
2023 風的頻率-落山風藝術季,海口港,車城,屏東
2023 漉漉-關渡光藝術節,關渡中港河碼頭,台北
2023 台東光祭-回知本,知本溫泉村,台東
2023 光源台北-台灣燈會在台北,四四南村,台北
2023 城裡的月光 月津港燈節,月津港親水公園,台南
▌授獲獎 Grants & Awards
2020 集保所當代藝術賞 銀賞
2019 國藝會美術類展覽獎助
2016 第 14 屆桃源創作獎 首獎
2016 國藝會海外藝遊獎助
2016 臺北藝術大學 新媒體藝術 創作卓越獎 首獎
2015 《依卡洛斯的翅膀》, 數位藝術表演獎 決選
2014 台灣藝術大學 校園公共藝術作品競賽 特優
2012 台灣藝術大學 師生美展 複合媒材類 特優
2011 國際第一屆袖珍雕塑比賽 優選





